Cloche is an homeless and clumsy young woman. She exhausts her companions with her blunders. They end up excluding her from their camp. Unable to fend for herself, starving, freezing, and afraid, Cloche goes downtown. A little odyssey begins that will change her life.

Maddy is putting off telling her housemates that their community dream has come to an end...

Take a handsome, friendly 40-year-old family man looking for a job. Put him in a room with a young executive woman, who's single, resolute and yearning for motherhood. Add a delightful little pony-tailed siren named Laura. Sprinkle with smiles and tuck into a charming tale... It's just that delightful little siren sometimes turn out to be terrible liars and a young "widower" can conceal a happily married man, wibly in love with his wife. Trouble's brewing...

Immigrants from sub-Saharan Africa choose to rebuild their lives north of the 49th parallel. In Eeyou Istchee Baie-James, they must learn to live in rhythm with a season previously unknown to them: winter.

Paul, a former insurer, is struggling to make ends meet. He agrees to meet Sarrebry, a loan shark introduced to him by his friend Daubelle. Paul mortally knocks out the disgusting crook and steals a large sum of money from him.

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La petite vie was first a stage sketch of the comedy duo Ding et Dong, formed by Claude Meunier and Serge Thériault, and later a hit Quebec television sitcom aired by Radio-Canada from 1993 to 1999. In total, 59 episodes were created plus 3 specials, two for Christmas and one for New Year's 2000.It is to date the only Canadian TV show to ever gather more than 4 million viewers, a performance it achieved twice in 1995.

A woman experiences the boundaries of her body as she contemplates life, death and love.

Ah-Xian resides in the heavily polluted industrial area in Kaohsiung, surrounded by a multitude of refineries and chemical plants. She takes on multiple jobs to support her family financially. After she lands a new part-time job as a bathroom cleaning lady on the midnight shift and encounters a young bar patron, she begins to re-examine her life, her marriage, and her family values. Her desire to change reaches a climax.

A depressed filmmaker has an existential crisis.